If the idea is to get it as close to “right” in the camera as possible, then the idea should be to get it into the our post production software as close to right as is possible - and for my Nikon images, until recently, that meant using NX2. But, let’s not denigrate the importance of an accurate starting point.
But, with a bit of adjustment, I was able to get good results with either of the Adobe programs. Out of the camera, NX2 gave me a better starting point than the Adobe software. nef (Nikon’s RAW format) image more accurately than Nikon could.
So, I began to wonder - If ACR was wrong on this fundamental setting, what else was it missing?Īnd, finally - What am I going to do about it?Īt the same time, the proponents of Nikon’s own software, NX and then NX2 were proclaiming that no one could render a.
